Sunday, 13 April 2014

Radio shows over the next two weeks

An early posting about tomorrow's Folk & Acoustic Music show and the following week's Off The Beaten Tracks as I'm taking a break from recording shows over Easter. 

The featured album on Monday 14th April's show on Acoustic Spectrum is 'Clear Run Over The Bridge' by Martin Stephenson & Jim Hornsby. The full playlist is...

Carole King - I Feel The Earth Move
Martin Stephenson & Jim Hornsby - Poor Part of Town
Alan Frew - Living The Dream
Birds of Chicago - Sugar Dumplin'
Davy Cowan - Answerphone Song
Sheryl Crow - No One Said It Would Be Easy
Neil Young - Out on the Weekend
Ian McNabb - Absolutely Wrong
Blackbeard's Tea Party - Devil in the Kitchen
Indigo Girls - Midnight Train to Georgia
Patsy Matheson - Chasing Rainbows
Luke Jackson - Fumes and Faith
Martin Stephenson & Jim Hornsby - Home
Eleanor McEvoy - Don't Blame The Tune

Listen online at acoustic-spectrum.co.uk
Listen again at mixcloud.com/cmbertram

Then on Tuesday the 22nd at 7pm on Beyond Radio you'll be able to hear tracks by the following artists. As it's St George's Day on the 23rd I've gone for an all English line-up...


Bellowhead, Eliza Carthy, Fairport Convention, Kate Rusby, Martin Simpson, Angie Palmer, Ottersgear, Turnstone, Steeleye Span, Seth Lakeman, Nick Drake, The Bad Shepherds, Pentangle and Martin Stephenson & Jim Hornsby.

Listen online at beyondradio.co.uk

Monday, 7 April 2014

Acoustic Spectrum playlist 7th April

Coming up at 9pm on Acoustic Spectrum radio...

Show of Hands - Arrogance Ignorance & Greed
The Red Pine Timber Company - Different Lonesome
Madison Violet - Emily
Pilgrim's Way - The Handweaver & The Factory Maid
Breabach - Forvie Sands
Christy Moore - Missing You
Djonne & Borsheim - Besse Vikingson
Peter Mulvey - Josephine
Beausoleil - Valerie
Richard & Linda Thompson - Streets of Paradise
Emily Smith - King Orfeo
Michael Woods - South North
Joni Mitchell - Blue
Tyde - The Hidden Spoon

 

The Folk & Acoustic Music Show
Mondays at 9pm / Tuesdays at 2am
Listen online at acoustic-spectrum.co.uk
Listen again at mixcloud.com/cmbertram

Martin Stephenson and Jim Hornsby, Victoria Hall, Settle

The concert was advertised as starting at 7:30 but on arrival there was the sound of live music coming from the floor just below the stage. On closer inspection we discovered that it was none other than Settle resident Mike Harding leading a band. There was no amplification, just a group of, I'm guessing, locals who were providing some music before the support came on. But that's the sort of relaxed atmosphere you'll find at the Victoria Hall, especially on these music nights which Mike is organising on the first Sunday of every month.

After they'd finished playing, Mike appeared on stage to tell us of a change to the evening's programme. For reasons which weren't entirely clear, Canadian band The Once hadn't turned up. Mike explained that emails had been going back and forth confirming their appearance that night but something had gone wrong somewhere and they weren't here. So support was instead provided at the last minute by two friends of Mike who had come up from Manchester. Both were called Matt, one on guitar and vocals and the other on harmonica, flute, small pipes and vocals. If you had arrived late and hadn't heard about the late substitution you wouldn't have guessed anything was amiss. Their playing was superb, especially Matt on harmonica and their material ranged from traditional Irish fare to a wonderful murder ballad about a woman who took a knife to her husband before throwing him down a well.

After the interval Martin and Jim took to the stage along with percussionist Finn McArdle. Martin had a rather unusual-looking amp for his guitar at the front of the stage which, as he joked, had been mistakenly used once for a pole dance. Playing quite a variety of venues, Martin told us that it's useful to have their own PA. The previous night they had played in a church with a large PA which made it sound like “a submarine coming from the back”.

Starting with 'The Lilac Tree' we were treated to selections from Martin's extensive back catalogue with one song, 'Joe McCue', having been written when he was a teenager but it was then left unused for 20 odd years. The reason for this was the subject matter. Joe was an older youth who Martin described as being somewhat frightened of when he was growing up. Joe was struggling with depression and finally could take no more. Tragically he took his own life by pouring petrol over himself and setting himself alight. This was one of a number of heart-wrenching stories we heard during the course of the evening and shows how Martin, like so many other songwriters over the years, use music as a way of trying to make sense of the world especially when there seems to be so much negative stuff affecting you at every turn.

But this was not a sombre occasion. Martin has a wonderful sense of humour which came through during the set. He is also a very spiritual person and there were references to a higher power, reincarnation and how we need to try and keep our egos under control. He described the constant chatter in our heads as the ego being like Google forever looking looking things up and not giving us any peace. Martin is obviously keen to share his thoughts on such matters with his audience but when it seems to be getting a bit deep he lightens things up with a humourous comment and he spent much of the evening with a smile on his face.

Jim Hornsby provided some fine electric guitar playing but very much in a supporting role, almost waiting at times for Martin's say-so to let rip with some country and bluegrass licks. Martin joked about how Jim doesn't really like his material so they have to play other stuff every four songs. So along with original compositions such as 'Home', 'Spirit Child', 'Long Forgotten' and 'Running Water' we had some wonderful guitar playing from them both on numbers like 'The Cannonball Rag' and the night ended with a lovely finger-picking guitar introduction to 'Will the Circle Be Unbroken'.

It was not far off being a full house and the audience certainly enjoyed the music. Near the end of Martin's set we had the added bonus of Mike Harding being invited up on stage to play harmonica. On the way out we discovered that the cd stall had cunningly been moved from the bar to the foyer and so I treated myself to a copy of Martin and Jim's latest cd “Clear Run Over The Bridge”. Back in the hall Mike Harding and the house band had struck up again providing Martin and co with some music as they packed away their gear.

Colin Bertram
07/04/2014

Monday, 31 March 2014

Playlist 31st March

Coming up on tonight's show on Acoustic Spectrum radio at 9pm you can hear two tracks from the new album, 'Domino Girls', by Patsy Matheson which is released today.

Bob Dylan - Subterranean Homesick Blues
Patsy Matheson - The Hollies
Roberto Cassani - I Like To Get Drunk and So Does My Beer
Blackbeard's Tea Party - Bulgine
Lady Maisery - This Woman's Work
The Ukulele Orchestra of Great Britain - Psycho Killer
Ross Ainslie - Morning After
Karine Polwart - Cover Your Eyes
Suzy Thompson - In The Pines
Phillip Henry & Hannah Martin - The Nailmaker's Strike PTI & II
Patsy Matheson - Red For Danger
Morrissey and Marshall - We Are One
Crosby, Stills and Nash - 49 Bye-Byes

The Folk & Acoustic Music Show
Mondays at 9pm / Tuesdays at 2am
Listen online at acoustic-spectrum.co.uk
Listen again at mixcloud.com/cmbertram

Thursday, 27 March 2014

This Way Madness Lies, The Gregson, Lancaster

It's not often you see a performer stripping off and standing naked before an audience. But this is what Augustus Stephens, or Gus to use his less formal name, does three times during this show.

On the first occasion he stands wearing a short-sleeved white shirt and black trousers, these being his work clothes. He gives a voice to the shirt which complains about how it does not appreciate being associated purely with his work which Gus obviously does not enjoy. His job as a computer programmer is full of deadlines which seem impossible to meet and when his girlfriend leaves him, he walks out of his workplace and heads to a stream where he rips the shirt open sending buttons flying through the air. After burying the shirt he heads to a beach where his trousers and underpants are discarded and he sings about how refreshing it is to feel the air and sea water on his naked body. He then finds some clothes and enjoys the simple pleasure of eating an ice cream.

On the second occasion however, we find that his nudity has been observed and brought to the attention of the local constabulary. Fortunately he escapes with a warning but all is not well and his mental health deteriorates to the point where he is admitted to a psychiatric hospital. Any sharp objects are taken from him as he has developed an interest in self harm and he becomes convinced that his reflection in the mirror is telling him what to do.

You really felt his confusion, frustration and despair with all the different medics he encountered along with their rules and regulations but while many people would want to forget about such experiences, and certainly not talk to a room full of strangers about them, Gus seems to almost relish reliving what must have been pretty desperate times. It is perhaps his own way of reminding himself that despite a number of relapses resulting in more stays in hospital, he finally got back to some sort of normality and realised that he needed to make some profound changes in his life in order to take control and not descend once more into madness.

His performance is a powerful one with the small but appreciative audience at the Gregson in no hurry to leave at the end. Gus tweeted the next day that there had been “lovely comments from people afterwards”. Speaking for myself I was certainly affected by the show as I have faced similar demons in the past and it reminds us all of how important is it for society to provide secure hospital accommodation for those who suffer mental breakdowns and become a danger to themselves.

Gus is doing three nights at the Oxford fringe in June and is then taking a slightly shortened version of this show to the Edinburgh Festival Fringe in August. It is a serious subject but there are laughs in the show plus little ditties he sings while accompanying himself on the guitar. There is also some audience participation which should go down well in Edinburgh.

Colin Bertram
27/03/2014


Monday, 24 March 2014

Playlist 24 March

The featured album on this week's show is the new self-titled album by Robby Hecht which is released today, March the 24th. The full running order at (hopefully) 9pm tonight is...

Steve Knightley - Transported
Robby Hecht - New York City
Eddi Reader - Winter It Is Past
The Deadly Winters - Sixteen Days
Melissa Greener - My Country Home in Summer Glow
Led Zeppelin - Gallows Pole
Augustus Stephens - My Baby (She Split on Me)
Kenny Young & The Eggplants - Help Me Rhonda
Pauline Alexander - Imagine
Robby Hecht - The Sea and The Shore
John Mellencamp - Johnny Hart
Kate Rusby - The Blind Harper
Patsy Matheson - Domino Girls
Calum Stewart & Lauren MacColl - Alzen

The Folk & Acoustic Music Show
Mondays at 9pm / Tuesdays at 2am
Listen online at acoustic-spectrum.co.uk
Listen again at mixcloud.com/cmbertram

Monday, 17 March 2014

Playlist 17 March

Tonight's show is dedicated to the memory of Tony Benn (1925 – 2014).


Tony Benn - Intro
Billy Bragg - There Is Power in a Union
Richard Thompson & Danny Thompson - Sweetheart on the Barricade
The Unthanks - The Testimony of Patience Kershaw
The Imagined Village - Washing Song
Graham Nash - Southbound Train
Megson - Working Town
Martha Wainwright - Factory
Dick Gaughan - Whatever Happened
The Bad Shepherds - London Calling
Jez Lowe & The Bad Pennies - The Judas Bus
Kelly Oliver - Grandpa Was A Stoker
Roy Bailey - The World Turned Upside Down
Paul Anderson - The Rev Gibbon

The Folk & Acoustic Music Show
Mondays at 9pm / Tuesdays at 2am
Listen online at acoustic-spectrum.co.uk
Listen again at mixcloud.com/cmbertram